Monday, July 23, 2012

Significance of Rangoli

'Rangoli' is a Sanskrit word which means a creative expression of art through the use of color.The word rangoli may also have come from "rang" (color) + "aavalli" (row), which means row of colors, or from rang+avalli, which means creepers of colors. Basically, Rangoli is the art of drawing images and motifs on the floor and walls of one's home using different color powders. Designed with a beautiful combination of various colors, the Rangoli images create an enchanting piece of art. Basically a floor painting, a rangoli image stands for a sign of welcome. The main purpose of making rangolis in diwali is to welcome Goddess Laxmi, the Goddess of wealth, to individual homes apart from warding off the evil eye. The art of rangoli is known by different names in different regions such as "Rangoli" in Maharashtra, Alpana (in Bengal), and Kolam (in South India). Although Rangoli has its origins in Maharashtra, today it is practiced everywhere. One of the most popular arts among Indian women, rangoli is an age old custom of India, and practiced all over the country.


The Rangoli designs are passed down through generations, with some of them being hundreds of years old. Though the designs vary in different sections of India, the basic approach is common. The designs are geometric and proportioned. It has been a tradition in culturally rich India to draw Rangoli on the festivals and other auspicious occasions as it is considered a holy ritual. There is a unique relationship between the festival of diwali and rangoli. Diwali is a major festival of India and drawing rangoli on diwali is a part of diwali celebrations.

The patterns are made with finger using rice powder, crushed lime stone, or colored chalk. They may be topped with grains, pulses, beads, or flowers. Since the entire objective of making rangoli in diwali is to welcome Goddess Laxmi, small footprints coming into the home, representing the footprints of the Goddess, are also made. Rangolis can be of any size, from the size of a doormat, to the covering an entire room. Though making of a Rangoli is highly dependent on the preferences and skills of the maker, lines are always drawn on one finger movement (rangolis are always drawn with fingers) and frequently, the mapping of the rangoli is done with the help of dots, which are joined to form a pattern, and then the pattern is filled with colors. One important point is that the entire pattern must be an unbroken line, with no gaps to be left anywhere, for evil spirits are believed to enter through such gaps, if they find one. In an expert hand, the images created are elaborate and look as if they are painted. In India, this art is temporary. Each rangoli design generally stays for only a day or two as it is often redone as a part of the daily routine. Certain designs are created on special occasions such as weddings and religious festivals like Diwali.



Brief history on Konaseema Dravida

The history of Konaseema Dravidulu is not the usual story of migration of a community, either of choice or compulsion, but a strange one of a precious gift by one ruler to another.

Chalukya ruler Rajendra Cholan had given his daughter, Rani Ammanga Devi in marriage to Raja Raja Narendra, ruler of Vengi (1022-1063) (the capital of which is the present Rajahmundry). It is said that along with the bride were gifted eighteen families of Vedic scholars from Velangaman on the banks of river Kaveri. They travelled on foot carrying 'Agnihotram', the ritualistic fire that is their constant companion. Some more families seem to have joined them subsequently.

The first piece of land gifted to them was Ryali near Ravulapalem in East Godavari District. There they built a small temple and installed the idol 'Jagan Mohan Murti', they had brought along with them. It is a rare piece of artistic sculpture Vishnu from the front and Mohini from the back. These Dravidians seem to have subsequently shifted and settled in Peruru and other neighboring villages, and 'Arava Dibbalu' as they are locally called, stand mute testimony to their first settlement in Ryali.

Naryana Bhat, a pre-eminent scholar among them, is said to have assisted Nannayya Bhat in translation of the Sanksrit Vyasa Bharatam into Telugu. He is also said to have assisted the king in state matters. In recognition and appreciation of his services, Nandampudi Agraharam near Amalapuram was granted to him and some of the Dravidian families settled there.

A major settlement of these Dravidian families from Velangaman was however Peruru ('Peria Ooru' big village  in Tamil) near Amalapuram in East Godavari District. It is said to have been gifted by a Palivela ruler.